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The twins begin to suspect that beneath her bandages, their mother may not be the same person. The boys comment that this is something their mother would never do. The mother also acts cruelly and lashes out at Elias physically and verbally when he is mischievous or disobedient. Though it is the middle of summer, the mother orders the twins to keep the blinds closed during the day (as recommended by her doctor to avoid sunlight) and not allow any visitors nor any animals in the house, imposes a strict rule of silence inside the house (as she’s required rest after the surgery), and allows them to only play outdoors in the garden. She pointedly ignores Lukas and appears to only acknowledge Elias in conversation and meal preparations.
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The twins are unnerved by their mother's appearance and are further taken aback when she begins to exhibit strange behavior. Her head is swathed in bandages, with only her eyes and mouth visible. For more guidance, see Wikipedia:Translation.Īfter undergoing cosmetic facial surgery, a woman (Susanne Wuest), who was formerly a choir member famous on local television, returns home to her modern, isolated lakeside house and to her nine-year-old identical twin sons, Elias and Lukas (Elias and Lukas Schwarz), who entered the house after playing outside in a cornfield and the nearby lake.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 8,800 articles in the main category, and specifying |topic= will aid in categorization.Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the German article.No less powerful, the mother's hidden face functions as an evocative metaphor for the love the boys feel she is withholding from them, and her inability to realize how much her physical changes are contributing to the strained atmosphere at home ultimately proves tragic. A starkly modernist glass structure set against an incongruous backdrop of cornfields and lush forests, the family's home resembles a monumental tomb - a chillingly perfect setting for the film's story of familial disintegration. "The first fiction feature from the writing-directing team of Severin Fiala and Veronika Franz, Goodnight Mommy was produced by acclaimed Austrian auteur Ulrich Seidl (who previously collaborated with Franz on the screenplays for several of his own films), and it is not hard to see the affinities with Seidl's work in its combination of psychological acuity, borderline body horror, and rigorous, nearly architectural sense of space.